memorandum

5時間前 (11,675リアクション)

(kotoripiyopiyoから)

1週間前 (81リアクション)

"それと僕はやはりマーケティングでモノをつくらない、ということが大事だと考えています。そんな予定調和的なものが面白いわけない、と決めつけちゃってるんです（笑）。面白いものは少人数で決める。これが自分たちの基本です。編集者はその面白いと思えるエッジを磨いていればいいのかなと。"

「BRUTUS（ブルータス）」西田善太編集長―オモシロイ特集をつくるには、少人数で勘で決めるのが効きます― Interview　ニッポンの編集長 #ライフスタイル -Fujisan 読み物 (via kotoripiyopiyo)

(kotoripiyopiyoから)

1週間前 (445リアクション)

高画質画像を表示

timelightbox:

American soldiers landing on Omaha Beach, D-Day, Normandy, France, June 6, 1944. Robert Capa—©International Center of Photography/Magnum Photos

As we posted earlier today, this evening Christie’s held its first-ever auction of contemporary photojournalism prints at its New York City auction house. The event, which will be hosted by news anchor Christiane Amanpour, will benefit the family of the late Anton Hammerl, a photographer who was killed in Libya last April.

The auction, says David Brabyn, one of the organizers, demonstrates the sense of community among photographers who put themselves at risk for their work. “It’s been quite highlighted recently,” he says, “after all the deaths of reporters, both photographers and print.”

But one of the most important prints up for bid was not a donation from someone in that community. Robert Capa’s photograph of American soldiers landing in France on D-Day is perhaps the most familiar picture in the bunch; Capa was killed by a land mine in 1954. The donation comes from the International Center of Photography, where his work is archived. (The winning bid will also include a personal tour of his archive.) ICP was founded by Capa’s brother, Cornell Capa, and the print comes from his personal collection.

Read more about this image and the auction here.

この間はじめて知ったんだけど、これ有名なのに、ネガが残ってないらしい。

(lifeから)

1週間前